PDF Download Demystifying Disney: A History of Disney Feature Animation
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Demystifying Disney: A History of Disney Feature Animation
PDF Download Demystifying Disney: A History of Disney Feature Animation
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Review
“More than simply an authoritative history, though it succeeds in this regard as well, Pallant's book provides an insight to the community and industry behind the foremost animated feature film studio, and offers the critical overview and detailed technological and aesthetic appreciation which Disney's films both require and reward.†―Dr. Jonathan Rayner, Reader in Film Studies, University of Sheffield, UK“Chris Pallant's book is extremely well-researched. It is easy to be entertained by Disney, but it is not so easy to clearly analyze the works, and the phenomenon, that is the Disney animated feature film. Pallant does the job with considerable panache, and he's not afraid to dig deep. His final, comparative, look at the Disney-Pixar relationship finishes off what is a truly fascinating book.†―Professor Graeme Harper, Director, Creative Lab“From Oswald the Lucky Rabbit to Winnie the Pooh, Demystifying Disney is possibly the most comprehensive overview of the Disney oeuvre yet published. Chris Pallant blends industrial, economic, aesthetic and filmic analysis to bring Disney to life, in so doing revealing Disney's own 'metamorphic condition'. Future Disney scholars will not be able to ignore this book.†―Dr. Nathan Abrams, Senior Lecturer in Film Studies, School of Creative Studies and Media, Bangor University“Digging beneath the Uncle Walt mythology, Pallant eschews sentiment to offer a clear appraisal of the Mouse House's feature output, challenging the idea that Disney was the overlord of this fantasy fiefdom.†―Total Film
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About the Author
Chris Pallant is Senior Lecturer in Film and Digital Media at Canterbury Christ Church University, UK, where he teaches courses on animation, film studies and popular culture.
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Product details
Paperback: 184 pages
Publisher: Bloomsbury Academic; Reprint edition (April 25, 2013)
Language: English
ISBN-10: 1623567440
ISBN-13: 978-1623567446
Product Dimensions:
6 x 0.4 x 9 inches
Shipping Weight: 10.6 ounces (View shipping rates and policies)
Average Customer Review:
1.0 out of 5 stars
1 customer review
Amazon Best Sellers Rank:
#1,771,483 in Books (See Top 100 in Books)
Very disappointing, often ill-informed, like so many books about Disney loosed on the world from the satanic mills of academe. Presented in the subtitle as a "History of Disney Feature Animation," this slender, 150-page tome is anything but.It is, instead, a disjointed hotchpotch of eight essays that are topically all over the map, factually challenged, and – surprise, surprise – larded with Post-modern jargon. Of the eight chapters, only one is devoted entirely to a Disney film: "Destino," which isn't even a "feature" film – the title of Pallant's book notwithstanding. Salvador Dalà worked on "Destino" at the Disney studio in 1945-1946. It was planned as a cartoon short, part of an ambitious package film like "Fantasia," but both projects were abandoned by Walt. "Destino" was not "completed" until half a century later, years after both Disney and Dalà had died, and released by the Disney Company in 2003.Among Pallant's more nuts-and-bolts failings: the consistent misspelling of the last name of Disney animator Ollie Johnston as "Johnson," and a base reliance, in order to spice up his text, on outlandish statements by the discredited Disney "biographer" Marc Eliot. Pallant also indulges in the odd sophomoric device of ending each chapter with a section labeled "Conclusion" And he is especially proud of having concocted the term "Disney-Formalism" which he insists on using in place of the standard, more comprehensible expression "Classic Disney.""Demystifying Disney" is based on Pallant's doctoral thesis, and one can understand why he would wish to see it published in order to advance his career. It is, however, hard to forgive his PhD advisor at Bangor University (across the pond in North Wales) for giving the thesis his blessing, and harder still to forgive Pallant's publisher, Bloomsbury, for foisting this dog's lunch of so-called scholarship off on an unsuspecting public. The overblown and intellectually dishonest, incestuous praise from Pallant's colleagues in British academe, is particularly appalling. Or should we say, "mystifying"?
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