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Wednesday, January 30, 2019

PDF Download Divine Will and Human Choice: Freedom, Contingency, and Necessity in Early Modern Reformed Thought

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From the Inside Flap

"Divine Will and Human Choice exhibits all the characteristics we have come to expect from Richard Muller. Through his compelling historical argumentation and mastery of ancient, patristic, medieval, and early modern sources, Muller demonstrates that the contemporary categories of compatibilism and libertarianism fail to capture the rich and variegated approaches of early modern Reformed theologians to questions of divine and human freedom, necessity, and contingency. The result is a new perspective on Reformed orthodox teaching about God and providence with new possibilities for constructive theology."--Scott R. Swain, Reformed Theological Seminary, Orlando"At long last we have a comprehensive historical study of the Reformed understanding of divine will and human free choice in its pre-Edwardsian formulation. Muller's analysis first introduces readers to the current state of the question, focusing particularly on synchronic contingency and its variant understandings. With a close reading of primary sources--reaching back to the various receptions of Aristotelian ideas among the medievals and centering on Aquinas and Duns Scotus--Muller unpacks how early Reformed thinkers and their heirs, the Reformed orthodox, treated matters surrounding necessity, contingency, and freedom relative to the divine will. Engaging the most prominent Reformed writers, including Calvin, Zanchius, Junius, Gomarus, Twisse, Owen, Voetius, and Turretin among others, this study demonstrates how these matters have been forgotten or misapprehended in modern discussions. Muller's work amply succeeds in showing how the Reformed orthodox knit a theological garment that does not well fit the modern categories and nomenclature of incompatibilism (or libertarianism) and compatibilism, that is, an indeterminism versus a raw determinism. In doing so, this volume is destined to propel the theological discussion surrounding necessity, contingency, and human freedom for decades to come."--J. Mark Beach, Mid-America Reformed Seminary"This book provides a major reassessment of ancient and medieval antecedents of the Reformed understanding of contingency. Devoting specific attention to Aristotle, Thomas Aquinas, and John Duns Scotus, Muller highlights the eclecticism of Reformed orthodoxy. In particular, he develops a multilayered argument showing that Duns Scotus was both less of an innovator in his own day and less of a formative influence for later Reformed orthodoxy than has sometimes been suggested."--Aza Goudriaan, Vrije Universiteit Amsterdam

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From the Back Cover

"Few scholars possess Richard Muller's knowledge of early modern theology or his ability to analyze with precision Reformed teaching on the central question of divine and human causality. The breadth and depth of Muller's command of Reformed thought displayed in this book are unrivaled, ensuring that Divine Will and Human Choice will quickly establish itself as a must-read for all students of Protestant theology."--Bruce Gordon, Yale Divinity School"There is not a more contested area in the study of Reformed orthodoxy than issues of divine foreknowledge, human free will, and the nature of contingency. The matter is highly complicated and involves multiple questions of interpretation and reception, including how Aristotle was appropriated by medieval schoolmen, such as Aquinas and Scotus, and how the medievals were then used by the Reformed. Those new to the field can easily become overwhelmed by the sheer volume of primary literature and the confusing subtlety of the arguments. In this context, Divine Will and Human Choice is a welcome addition to the literature because it offers both the neophyte and the scholar a superb account of the various questions involved and provides judicious critiques of the contemporary debate."--Carl R. Trueman, Westminster Theological Seminary"Once again Richard Muller has provided us with an extremely careful and insightful analysis on the development of Reformed theology. He has approached the topics of freedom and necessity in Reformed thought from his extremely knowledgeable background of ancient philosophy and medieval theology. In so doing he has provided a trajectory that demonstrates that Reformed thought cannot be understood in isolation from the Western tradition as a whole. This is a superb study, and there is much to learn from this volume."--Susan Schreiner, University of Chicago Divinity School"Muller's masterful treatment of God's will and human free choice is exemplary. It clearly and accurately presents the positions held by medieval and early modern Reformed theologians rather than spinning them in favor of a preferred position or conclusion. Muller has command of both the historical and contemporary philosophical categories and positions involved in theological debates, and he fruitfully relates historic positions to current philosophical and theological debates without anachronistically treating our theological ancestors as our philosophical contemporaries."--John Cooper, Calvin Theological Seminary"Muller continues to surprise readers with fascinating news from historical sources, and this rich volume is the latest fruit of his ongoing research. His careful analysis in Divine Will and Human Choice shows that this theme remains highly relevant for church and society today. Here Muller reevaluates positions, challenges readers, and serves theology with another fine work."--Herman Selderhuis, Theological University Apeldoorn; director of Refo500

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Product details

Hardcover: 336 pages

Publisher: Baker Academic (May 2, 2017)

Language: English

ISBN-10: 0801030854

ISBN-13: 978-0801030857

Product Dimensions:

7 x 1.2 x 10 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#885,443 in Books (See Top 100 in Books)

Dr. Muller provides the general public with another wonderful volume. "Divine Will and Human Choice" requires attention to detail, but the fruit of Dr. Muller's labors is vast. If the debate surrounding human choice and the divine is of interest, there is not better volume on the subject. Caveat emptor, the author employs precise theological language and a variety of terms present in the classical languages. Picking up a copy of his theological dictionary would be a helpful entry into his work.

Richard A Muller, Divine Will and Human Choice: Freedom, Contingency, and Necessity in Early Modern Reformed Thought (Grand Rapids, MI: Baker Academic, 2017). 329pp. Hardcover. $45.00.Richard Muller has gained a (deserved) reputation as one of the leading scholars of historic Reformed orthodox theology. He has, in large part, led the way in exploding historical myths, such as that of a pristine Calvinian theology that was fouled up by later Reformed writers through appropriating scholastic elements. He has done so by arguing that Reformed theologians developed their theology from Scripture through an eclectic dialogue with early church, medieval, and contemporary authors. Calvin did not single-handedly found a theological tradition. Moreover, later Reformed orthodoxy illustrates continuities and discontinuities with the Middle Ages as well as with the sixteenth-century Reformers. Such research has been useful, both in historical and contemporary theology, for a number of reasons. In this reviewer’s opinion, Muller’s primary contribution to both fields is that his work has enabled classic Reformed theology to speak more clearly with its own voice in its own context once again. Doing so has great potential to provide different options to the church today than what are current regarding both faith and practice. Divine Will and Human Choice tackles the difficult age-old question of the relationship between God’s sovereignty and human freedom. More specifically, whether and how the actions both of God and of humanity can be contingent and capable of contradictory or contrary choice. Muller treats this question with boldness, contradicting many respected historians on the subject, complexity, using uncommon scholastic terminology, and thoroughness, drawing from a wide range of primary source literature. The philosophical nature of the subject matter and the difficulty of the terminology for the uninitiated makes this work a particularly difficult read. This means that the subject matter, though profound and well argued in itself, will be rewarding to some readers and off-putting to others.Muller’s analysis is bold. In treating issues related to divine will and human freedom in Reformed orthodoxy, he simultaneously builds upon and contradicts most respected scholars in the field, including Paul Helm, Antonie Vos, Andreas Beck, Willem van Asselt, Eef Dekker, Martin Bec, and many others. His primary contention is that that early modern Reformed authors developed a “robust doctrine of creaturely contingency and human freedom,” that drew from classic scholastic distinctions, in order to uphold the sovereignty of God’s decrees, while maintaining the distinction between necessary, contingent, and free events among his creatures (34). Contra authors such as Helm, Muller argues that this meant more than simply saying that free choice is compatible with divine sovereignty, since Reformed theology taught that mankind genuinely retained the power of contrary choice and of contrariety. Contra authors such as Vos, he argues that ascribing the power of contrary choice to mankind in a given action (“synchronic contingency”) does not necessarily entail a Scotist dominance in post-Reformation Reformed theology. Nor, he adds, did using the relevant scholastic distinctions result in an ontology because the only intent behind their use was to explain the interrelationship between divine sovereignty and human freedom. Leaving aside the complexities of such assertions for the moment, modifying or rejecting the conclusions of such a stellar collection of scholars is a bold move. However, such boldness does not make Muller’s arguments wrong. The topic treated in this book can be perplexing and if anyone is qualified to refine and even correct the arguments of other scholars in this area it is Muller.Yet Muller’s book is complicated as well. This point relates the character of the “scholastic distinctions” (34) that Reformed authors employed and how Muller explains them. Roughly half of the book evaluates debated interpretations of Aristotle, Aquinas, and Duns Scotus on the issue of the nature of contingency in divine and human choices. The second half of the book illustrates the influences and uses of these concepts among Reformed authors. Understanding his work requires a working knowledge of paired terms such as synchronic vs. diachronic contingency, necessity of the consequence vs. necessity of the consequent, scientia intelligentiae simplicis vs. scientia visionis, and, especially, simultaneity of potencies vs. potency of simultaneity. Put simply, Muller never really puts these terms simply. Synchronic contingency conveys the idea that when an event comes to pass, human beings retain the power of making alternate choices. Diachronic contingency asserts that though things could have turned out otherwise according to God’s will, the event or outcome of human actions is certain as it happens in time. The first term teaches that man could have done differently as a volitional creature. The second term asserts that man could not ultimately change the outcome because his freedom of choice is a “dependent freedom.” Necessity of the consequence means that an event must come to pass when it comes to pass through a volitional being, but not by any natural or inherent necessity in the thing itself (such as choosing to sit vs. choosing to run). Necessity of the consequent is a necessity that results from the nature of a thing (such as a rock falling). Human choice is involved in the former but not in the latter. Scientia intelligentiae simplicis refers to all possibilities that could come to pass in agreement with God’s nature (corresponding to potentia absoluta) and scientia visionis refers to God’s knowledge of what he has ordained to come to pass (potentia ordinata). Simultaneity of potencies means that human beings have the power to make more than one choice in any given circumstance. Potency of simultaneity refers to the (impossible) idea that human beings have the power of performing two contrary actions at the same time. The purpose of this complex set of terms is to show how and why God, as the first cause, foreordains whatsoever comes to pass without violating the wills of his creatures or eliminating the freedom or contingency of second causes. While such concepts can be inherently taxing, this reviewer finds it easier to understand them from reading scholastic authors directly than from reading Muller’s analysis of them.In light of Muller’s reputation, it should not surprise readers that his book is thorough. Every scholar knows very little ultimately in relation to what he or she could know in his or her field of study. Research is nothing if not humbling. However, Richard Muller has read and knows more than all but a very small number of people will ever know. In spite of the work being challenging to process, it remains a wealth of information. The primary liability in this respect is that the publisher did not include a bibliography, enabling readers to follow up with sources cited.In conclusion, Muller’s book is well-research, nuanced, and insightful, but it is not for everyone. His books are always worth laboring through, but they will not help all readers. The relationship between divine sovereignty and human freedom will continue to be an important issue in both church and school. Yet Muller’s treatment of this subject, while highly important, will be inaccessible to most people. For those interested in a more straightforward and standard introduction to classic Reformed theology, his Post-Reformation Reformed Dogmatics or his two volumes published with Oxford University Press are easier entry points. Yet for those who want (or need) to understand the medieval and Reformed terminological and philosophical underpinnings of the issue treated in this present volume, Divine Will and Human Choice will likely set the standard for years to come.Ryan M. McGrawGreenville Presbyterian Theological Seminary (This review appeared on meetthepuritans.com)

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Friday, January 18, 2019

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Calendar

Publisher: teNeues (August 1, 2008)

Language: English

ISBN-10: 383272723X

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Monday, January 14, 2019

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File Size: 86416 KB

Print Length: 128 pages

Publisher: Mango Media Inc (June 15, 2015)

Publication Date: June 16, 2015

Sold by: Amazon Digital Services LLC

Language: English

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Tuesday, January 8, 2019

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About the Author

H. Ray Holder has worked in the electrical industry for over fifty years as an apprentice, journeyman, master, field engineer, estimator, business manager, contractor, inspector, consultant, and instructor. Mr. Holder is a graduate of Texas State University and holds a Bachelor of Science Degree in Occupational Education. He also holds a lifetime teaching certificate from the Texas Education Agency, in the field of Vocational Education. He is a certified instructor of electrical trades. His classes are presented in a simplified, easy-to-understand format for electricians. Since 1965, Mr. Holder has taught over 30,000 students at Austin Community College and the University of Texas, at Austin, Texas, Odessa College, at Odessa, Texas, Technical-Vocational Institute of Albuquerque, New Mexico, Howard College, at San Angelo, Texas and in the public school systems in Ft. Worth and San Antonio, Texas, as well as conducted electrical seminars throughout the United States. He is currently the Director of Education for Electrical Seminars, Inc. Mr. Holder is a former member of the National Fire Protection Association, International Association of Electrical Inspectors and retired member of the International Brotherhood of Electrical Workers.

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Product details

Paperback: 306 pages

Publisher: Brown Technical Publications Inc; 1st edition (February 21, 2017)

Language: English

ISBN-10: 1946798991

ISBN-13: 978-1946798992

Product Dimensions:

8.5 x 0.7 x 11 inches

Shipping Weight: 1.7 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

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Saturday, January 5, 2019

Free Ebook Somebody Hear Me Crying: Youth in Protective Services: Youth with Special Needs, by Joyce Libal

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Somebody Hear Me Crying: Youth in Protective Services: Youth with Special Needs, by Joyce Libal

Somebody Hear Me Crying: Youth in Protective Services: Youth with Special Needs, by Joyce Libal


Somebody Hear Me Crying: Youth in Protective Services: Youth with Special Needs, by Joyce Libal


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Somebody Hear Me Crying: Youth in Protective Services: Youth with Special Needs, by Joyce Libal

Product details

Age Range: 12 - 17 years

Grade Level: 7 - 12

Lexile Measure: 1050L (What's this?)

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Series: Youth with Special Needs

Hardcover: 127 pages

Publisher: Mason Crest Publishers (January 1, 2009)

Language: English

ISBN-10: 1590847393

ISBN-13: 978-1590847398

Product Dimensions:

6.3 x 0.5 x 9.5 inches

Shipping Weight: 1 pounds

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Friday, January 4, 2019

Download Ebook Waiting for Godot: A Tragicomedy in Two Acts

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Waiting for Godot: A Tragicomedy in Two Acts

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Waiting for Godot: A Tragicomedy in Two Acts

Review

“One of the true masterpieces of the century.” —Clive Barnes, The New York Times“One of the most noble and moving plays of our generation, a threnody of hope deceived and deferred but never extinguished; a play suffused with tenderness for the whole human perplexity; with phrases that come like a sharp stab of beauty and pain.”—The Times (London)“Beckett is an incomparable spellbinder. He writes with rhetoric and music that . . . make a poet green with envy.” —Stephen Spender“Reading Beckett for the first time is an experience like no other in modern literature.”—Paul Auster“[Godot is ] among the most studied, monographed, celebrated and sent-up works of modern art, and perhaps as influential as any from the last century. The nonstory of two tramps at loose ends in a landscape barren of all but a single tree, amusing or distracting themselves from oppressive boredom while they wait for a mysterious figure who never arrives, the play became the ur-text for theatrical innovation and existential thought in the latter half of 20th century.” —Christopher Isherwood, The New York Times

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About the Author

Samuel Beckett (1906-1989), one of the leading literary and dramatic figures of the twentieth century, was born in Foxrock, Ireland and attended Trinity University in Dublin. In 1928, he visited Paris for the first time and fell in with a number of avant-garde writers and artists, including James Joyce. In 1937, he settled in Paris permanently. Beckett wrote in both English and French, though his best-known works are mostly in the latter language. A prolific writer of novels, short stories, and poetry, he is remembered principally for his works for the theater, which belong to the tradition of the Theater of the Absurd and are characterized by their minimalist approach, stripping drama to its barest elements. In 1969, Beckett was awarded the Nobel Prize in Literature and commended for having "transformed the destitution of man into his exaltation." Beckett died in Paris in 1989.At the age of seventy-six he said: "With diminished concentration, loss of memory, obscured intelligence... the more chance there is for saying something closest to what one really is. Even though everything seems inexpressible, there remains the need to express. A child need to make a sand castle even though it makes no sense. In old age, with only a few grains of sand, one has the greatest possibility." (from Playwrights at Work, ed. by George Plimpton, 2000)

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Product details

Paperback: 128 pages

Publisher: Grove Press; 1 edition (May 17, 2011)

Language: English

ISBN-10: 080214442X

ISBN-13: 978-0802144423

Product Dimensions:

5 x 0.2 x 8 inches

Shipping Weight: 4 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

313 customer reviews

Amazon Best Sellers Rank:

#7,817 in Books (See Top 100 in Books)

After reading the screenplay of Waiting for Godot I did many things. I laughed, I scratched my head, I wondered who this Godot was and I tried to find the elusive plot and meaning of it all. In all, maybe it was Mr. Beckett's primary intention to have all the theater goers go mad! The essence of this two act play revolves around two longtime friends by the names of Vladimir and Estragon who are in search of a character called Godot. The reader or theater goer never really knows who Godot is. Is it the search for God? Could be but who knows. Godot could represent anyone or anything. Beckett gives the impression that Vladimir and Estragon are hobo-like characters who wear bowler's hats and carry on a most nonsensical and repetitious continuing conversation. In fact most of their dialogue is very much like Abbot and Costello's Who's On First. The dialogue goes in circles much like Abbot and Costello. Also another comedy team comes to mind as I read on in what can only be called a farce of a play dominated by absurd allusions. As Vladimir and Estragon continue with their absurd conversations along comes two other characters which add more speculation into what seems to be like the rabbit in Alice In Wonderland added confusion and wonderment in that rather absurd tale. These characters named Pozzo and Lucky add their own comedic scheme to this rather confusing and jumbled tale. When the seemingly intellectually challenged Lucky, who has the IQ of Rocky Balboa, breaks into an outright intellectual diatribe it made me laugh so hard like I remember when I watched old Laurel and Hardy routines as a young boy. The play's meaning and plot is an open book. It can mean anything to anybody. It is full of symbolism and begs for a solid debate. To me it represents life and that life in and of itself at times lacks meaning, shows comedy and can be disappointing and hard to really understand. After seeing this play on February 2, 2014 on Broadway I can compare the play to one TV Series that being "Seinfeld" and the classic movie titled "Groundhog's Day." These are the current comparisons but in the end this play represents a mystery for us to interpret. I'll stick with Groundhog's Day!!! For some reason this play should probably be read and seen multiple times to gain what was in Beckett's mind. I can see why this play is considered a classic. It has all the elements of what the word classic is all about.

"Waiting for Godot" explores Existential philosophy in the form of an absurd, random play. Samuel Beckett uses the easy-to-understand format of two men waiting for their companion Godot to allude to the human condition through Existentialism. The play lacks any true plot (other than the waiting) and there isn't much character development (Vladimir and Estragon wait for Godot despite the fact that he stands them up every day). And while that would seem like a bad thing - all this waiting with zero outcome - isn't that exactly what we spend our whole lives doing? We wait in line, in traffic, for work to end, for a vacation, etc. Stunningly close to our everyday lives, "Waiting for Godot" is a maddening and confusing play that rings true for every reader

First, a word about editions. This edition of WAITING FOR GODOT, though with occasional changes of covers, has long been the standard edition of the play in English. It features Beckett's translation of the play in English, and nothing else. But in more recent copies of the play, Grove has inserted a card noting that in June of 2011 this edition will be replaced by a two one, which will feature the French original alongside Beckett's translation into English. Right now this edition is still available for a fraction of the cost of the new bilingual edition, but at some point soon it will apparently go out of print, and only the new edition of Waiting for Godot - Bilingual: A Bilingual Edition will be available. This new edition will also feature an introduction, which the current edition lacks.Too many people forget that this is a PLAY, i.e., something that provides the words for actors on a stage. It is not primarily intended to be read in a book. Unfortunately, this is how most people experience the play, therefore depriving them of most of elements of the performance. Therefore, I am going to make a recommendation for a way of increasing the richness of your performance of the play.Though an Irishman, Beckett originally wrote the play - as he did with almost all of his works - in French first and then later translated them himself into English (in contrast, Vladimir Nabokov after moving to the United States wrote his books in English, and then translated them into French and Russian, his wife doing the translations into German). The play was originally performed in Paris, while the English-language premiere took place in Ireland. The American debut was not on Broadway, but in Miami, Florida, with Bert Lahr and Tom Ewell.Instead of merely reading the play, read it while listening to a recording of the original Broadway production of Waiting For Godot, which starred Bert Lahr (best known as the Cowardly Lion in THE WIZARD OF OZ) as Estragon and E. G. Marshall as Vladimir. While you still wouldn't get the visual dimension of the play, hearing the actors bring the characters to life adds new layers to the play that you would never get merely by reading it. Lahr was an unexpected choice to star in the play, given that he wasn't an actor so much as a vaudevillian comedian. His acting style was too over-the-top to be convincing in film (though perfect for the Cowardly Lion); I read somewhere - I don't recall where - that he was more like a cartoon character incarnated than a human. He nonetheless gives a marvelous performance here. Marshall was one of the most distinguished stage actors of his generation and more than holds his own with Lahr while acting as more the straight man.If you listen to the recording while reading the book, the performance that will most come to life is that of Lucky. I'd read the play 2 or 3 times over the years and seen it once on the stage in which I now realize was a rather tame production, but had not really paid much attention to Lucky. His main contribution was a single, very long speech (not terribly unlike the long speech given by The Fireman in Ionesco's THE BALD SOPRANO in terms of length and its absurdity - a speech that I gave in a college performance of the play). Read on the page it can seem interesting and silly, but hearing the actor (though it wasn't indicated in the recording, Alvin Epstein played Lucky in the original Broadway production and it is almost certainly him here) perform the speech is revelatory. He doesn't say the words so much as shriek, yelp, gasp, bark, and screech them. Hearing Lucky's speech performed by a talented actor transforms your appreciation of both the speech and the play.This is one of the truly great works of the 20th Century, one of the key plays making up what Martin Esslin dubbed The Theatre of the Absurd, but it is not best experienced by reading it on the page. Try to see it performed instead, or at bare minimum in the Bert Lahr/E. G. Marshall version noted above. You wouldn't think that you had experienced a Bob Dylan song merely by reading the lyrics, and so also you won't experience WAITING FOR GODOT unless you hear or see it performed.

Beckett's "Godot" is probably one of the most amazing and thought-provoking plays out there! Anyone interested in theater simply must read it! It's dark, it's depressing, it's funny, it's thought-provoking, and it belongs to the classics of existentialist theater. It's a phenomenal read, filled with eerie repetition as the two main characters simply cannot stop waiting for the mysterious Godot - and while waiting seems endlessly pointless, they are unable to stop waiting and leave.Yet while I think this is a spectacular play (one of my personal favorites) it's also a highly intellectual one, so do not pick it up if all you want is a light melodrama.

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