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The Silence of the Girls: A Novel, by Pat Barker
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Review
"Almost Homeric in its brilliance... Refreshingly modern... Ms Barker [switches] nimbly between the daily drudgery of the camp and the horrors of conflict... Venerable scenes and mythic names magically become new... Domestic details are piercingly described, bringing the squalor of the camp to life... A masterful and moving novel."—The Economist"Beautifully done."—Annalissa Quinn, NPR“Well-written as anything Barker has done before…The Silence of the Girls is a novel that allows those who were dismissed as girls—the women trapped in a celebrated historical war—to speak, to be heard, to bear witness. In doing so, Barker has once again written something surprising and eloquent that speaks to our times while describing those long gone.”—Bethanne Patrick, Washington Post"A very good, very raw rendition of the Trojan War from the point of view of the women." —Kate Atkinson, New York Times Book Review “An impressive feat of literary revisionism that should be on the Man Booker longlist…Why isn’t Pat Barker’s The Silence of the Girls on this year’s Man Booker longlist? There are always going to be contentious omissions, I know, but Barker’s not only a veteran—she won in 1995 for The Ghost Road, the final volume of her magnificent First World War-set Regeneration trilogy—this latest work is an impressive feat of literary revisionism that reminds us that there are as many ways to tell a story as there are people involved…this is a story about the very real cost of wars waged by men: ‘the brutal reality of conquest and slavery.’ In seeing a legend differently, Barker also makes us re-think history.” —Lucy Scholes, The Independent"Evocative... The powerful story line is merely the framework; what make this novel so fascinating are all the interstitial details."—John Greenya, The Washington Times"This is an important, powerful, memorable book that invites us to look differently not only at The Iliad but at our own ways of telling stories about the past and the present, and at how anger and hatred play out in our societies. 'The defeated go down in history and disappear, and their stories die with them.' Barker's novel is an invitation to tell those forgotten stories, and to listen for voices silenced by history and power."—Emily Wilson, translator of The Odyssey "Brilliant, beautifully written... Both lyrical and brutal, Barker's novel is not to savor delicately." —Library Journal, starred review “In The Silence of the Girls, [Barker] now gives a voice to the voiceless…It is not generally known that the omission of Pat Barker’s Regeneration from the 1991 Booker shortlist by the all-male panel of judges was the trigger for the foundation of the Orange (now Women’s) Prize. Barker’s omission from this year’s Booker longlist is a decision equally lamentable, for The Silence of the Girls is a book that will be read in generations to come.” —Amanda Craig, Daily Telegraph “This book weaves strands from across Barker’s work, foregrounding female experience on a vividly evoked battleground.” —The Sunday Times “The Silence of the Girls is brilliant—fascinating, riveting and blood chilling in its matter-of-fact attitude toward war and those who are its spoils. I loved the book for its craftsmanship, as well is its wonderful evocation of the ancient world and the not-so-ancient minds of the people inhabiting it.” —Diana Gabaldon “In graceful prose, Man Booker Prize winner Barker, renowned for her historical fiction trilogies, offers a compelling take on the events of The Iliad, allowing Briseis a first-person perspective. Briseis is flawlessly drawn as Barker wisely avoids the pitfall so many authors stumble into headlong, namely, giving her an anachronistic modern feminist viewpoint. The army camp, the warrior mindset, the horrors of battle, the silence of the girls—Barker makes it all convincing and very powerful. Recommended on the highest order.” —Booklist "There’s a bluntness to Barker’s prose that feels appropriate to this tale of women’s fates during wartime. But if it insists on the importance of bearing witness, it’s also about choosing life.” —Mail On Sunday "Wryly observant and wholly cognizant... Barker's retelling of some of the most famous events of The Iliad feels strangely relevant to today—displaced peoples, war refugees, abandoned women and children, sexual violence—and assures us that women's voices will be silent no longer." —BookPage “Amid the recent slew of rewritings of the great Greek myths and classics Barker’s stands out for its force of purpose and earthy compassion… Barker puts a searing twist on The Iliad to show us what the worst fate can be.” —Peter Kemp, The Times "The arrival of The Silence of the Girls couldn't be more apropos... Barker has a knack for capturing the voices of women in everyday life." —Publishers Weekly “Its magnificent final section can’t help but make you reflect on the cultural underpinnings of misogyny, the women throughout history who have been told by men to forget their trauma... You feel you are in the hands of a writer at the height of her powers, her only priority to enlarge the story.” —Evening Standard “A lot of these re-imaginings fall flat, but Barker’s new novel, The Silence of the Girls, is superb... It is as beautifully written as it is brutal in describing the blood-soaked horrors of war. It’s out next month and should have been put on the Man Booker longlist. Silly judges.” —Robbie Millen, The Times “If this book doesn’t win all the awards – I mean all ALL of them – it will be a travesty. Quite the most incredible thing I’ve read this year and I’ve read a lot of great books. Classic storytelling, amazing characters And such a lot to say about then – and now. Circe was a wonderful feminist romp and I loved it, but The Silence of the Girls is something else all together. For me, this is Pat Barker’s Handmaid’s Tale moment.” —Sam Baker, author of The Woman Who Ran “Barker’s innovation rests on the female perspective… Here she gives Briseis a wry voice and watchful nature… [The Silence of the Girls] hums with intelligence.” —Kirkus Reviews "An extraordinary novel... [and] the current debate about power and control in sexual relationships makes it a very timely one. If this doesn't make every serious literary prize shortlist, I'll be very surprised." —Alice O’Keefe, The Bookseller
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About the Author
PAT BARKER is the author of Union Street, Blow Your House Down, The Century's Daughter, The Man Who Wasn't There, the Regeneration trilogy (Regeneration, The Eye in the Door, and The Ghost Road), Another World, Border Crossing, Double Vision, and the Life Class trilogy (Life Class, Toby's Room, and Noonday). She lives in Durham, England.
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Product details
Hardcover: 304 pages
Publisher: Doubleday; 1st Edition edition (September 4, 2018)
Language: English
ISBN-10: 0385544219
ISBN-13: 978-0385544214
Product Dimensions:
6.4 x 1.2 x 9.6 inches
Shipping Weight: 2.8 pounds (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
120 customer reviews
Amazon Best Sellers Rank:
#12,933 in Books (See Top 100 in Books)
Some of us took Latin in school because the Greek alphabet was the purview of fraternities and sororities, and we were by disposition and inclination “independents†from birth … and never gonna make Phi Beta Kappa in this lifetime, anyway. But, damnit, we loved Greek mythology! Ms. Barker does the Greeks (and definitely the Trojans) proud with her all-about-Achilles novel. At first I thought her writing too mundane for such grand subject matter. Where is Virgil when we need him?! For this I apologize. Her account of the last years of the Trojan War as related by Briseis aka Hippodameia (look her up!) is so compelling, so intimate, and so gory, I resented the fact that the novel ended.
As a classics major and Latin teacher for over thirty years, I have read many novels which retell the ancient myths from the female perspective. This was the most brutal but at the same time the most moving I have ever read. Reading it during the Kavanaugh hearings made it that much more meaningful. Beautifully written, this powerful book is a must read.
Greek myths, especially ones involving warfare are depicted primarily from the male perspective. This story departs from the usual recounting of the exploits of Achilles during the Trojan War in that Briseis is the central character. We see much of the protracted battle between the Greeks and the Trojans play out through her capture as Achilles’s war prize.The relationship triangle is explored among Achilles, Patroclus, and Briseis even though jealousy isn’t a primary factor. As Briseis is a slave, she adopts a realistic attitude of acquiescence to her servitude to survive. She bears witness to the unbreakable bond between Achilles and Patroclus and develops a strange sort of understanding of the anger that drives Achilles. Patroclus becomes her friend and treats her with unexpected but appreciated kindness.The day-to-day lives of the women slaves are described in excruciating detail. All the way from harem girls providing pleasure to women tending wounded soldiers, their existence alternates between hard labor, boredom, loneliness, pain, and terror. Briseis is one of the fortunate ones. As the prize of Achilles, she is given greater respect than most of the captured women, many of whom were former wives of Trojan aristocrats.Pat Barker’s writing puts you in the middle of the action. The story is immediate and unflinching. You smell the campfires, see the wounded men, and feel the sadness of the captured women. I offer a cautionary note that there are plenty of violent, brutal, and adult situations that some readers may not like.
This is my first Pat Barker book, and it's pretty good, but it's imperfect -- very imperfect. For one thing, the sentiments and vocabulary of Briseis are 21st Century sort-of feminist, and they seem misplaced in the pre-historic realm of the Trojan War. Second, the book switches from the first-person to third-person with no apparent reason; as a result, it's jarring and seems very gimmicky.Those two exceptions aside, the story of the end of the Trojan War continues to be riveting. As are the characters, the dialogue, the mise-en-scene, and so on. It's definitely a good read, but it's not great writing.
This is a strange one, as I admire the author’s earlier work and have read some great modern renditions of the classics recently (Circe, Burial at Thebes, Home Fire). This isn’t in their league. The style is surpassingly awkward, with endless hyphenated parentheticals interrupting the prose. Barker is apt to shift from first person singular to third person, then to first person plural in one sentence. The characters’ locutions are contemporary and common. And the narrator engages in a silly back and forth with the reader, who poses as interrogator. The theme that all history is male, and that women are enslaved by it, is not new, but perhaps especially appropriate now. But its presentation isn’t consistent or convincing. If it weren’t The Iliad, it wouldn’t be worth the read.
Great writing transcends time and place. I think it was Faulkner who, when asked why we read literature, said that we do it to be reminded of the internal truths of the human experience. Baker succeeds, drawing on Homer's Iliad, which some scholars have noted marks the beginning of Western literature.We all know the framework of the story: the Trojan War, a miscreant king, Agamemnon, and a demigod hero, Achilles. Homer sang of the wrath of Achilles, which of course involves a young woman, Briseis. Remarkable that no one seems to have ever written her story--until Baker, that is. We see the great war through her eyes after the invading Greeks destroy her town, slaughter her husband and brothers, and take her as a war prize, giving her to Achilles.Her story tells us much about suffering and survival, of honor and pain, but it also reminds asks us to think about the power of love. I don't mean romantic love, of course. Baker's aim is broader than that. Her description of King Priam pleading for the return of his son, for example, is heartbreaking. It is matched fully by Baker's touching description of Briseis' inner conflict, torn as she is between hating the enemy that changed her life forever but nevertheless finding it possible to forgive the man who made her a slave and then who did not.I hated reaching the final page, wishing that the book were longer, that the story would continue.
I have never read Pat Barker's other works but I will now. This is a beautifully written novel that brings alive the time of ancient Greece from the viewpoint of her main character. Really impressive. You won't regret your purchase.
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